Vikram Vedha (2017)
You expect some thing from an actor or character and it gratifies
you. Alright – this is what I anticipated from you , Thanks a lot, move on. And
then the movie grows in you. Some where the second fiddle takes the throne
slowly over a period. Remember Anbe Sivam – For the first few months every one celebrated Kamal’s
performance. Film bombed. Then Madhavan started
growing in you for his inoculating performance. Why does that happen for some actors. Many
actors has the potential to beat the main protagonists. Vijay Sethupathi
is the devil and the Madhavan is the Vampire King. He eats Vjs throughout the
movie, though there is a fine line in distinguishing their characters.
One of the best
thing about Vikram Vedha is its continued story telling ability in its intense
moments. I would be definitely perplexed if I haven’t paid attention for some
of the collapses which happened in the second half. Such an thorough gripping
movie with no deviations. Vikram Vedha is good times for cinema, this tight
script is an evolution from Va Quarter Cutting, Oram Po to Vikram Vedha, I
would rather name it as genuine Introspection
of Pushkar Gayathri. Lot was expected when Oram Po released; it had quirky
comments, dark humor but the film didn’t make noise as expected. Vikram Vedha isn’t
your Cop – Mob story or story about a Don. This is about characters which
neither justifies nor takes revenge. .
Some of the scenes are predictable, you may see Seven (When he surrenders - see video above ) , You may see Mean streets and some shades of City of Gods
You can’t deny the influence but there are classic
scenes in Vikram Vedha which has to be celebrated. The Mutton and Poratta scene
is a dip in your passion towards everything a good scene can do to a good
script. I would definitely give that scene a built up as the best scene I have
watched in some time. Vikram is a usual cop , not intelligent, but he is brutal
, he is like Anbuselvan. He is left cheated, he is left perplexed , he is
beaten, he is hallucinated, he plays the fair game through out. He answers even
in his tough times, he takes silly decisions, much predicted But he never gives
up. None other than Madhavan can bring that untiring energy as Vikram. There is a scene in the climax shoot where he claims himself with
his gun; he absolutely beats the monster in Vijay Sethupathi by a huge margin with his
composed performance.
At a point when we had strong opinion about Vijaysethupathi’s performance – I wanted him to fail miserably like Rekka, Every one in the movie hypes Vedha – it’s a cake walk for an actor like Vijaysethupathi. Whats not easy is the wit and humor which flows with a greater sense of timing. He nags and disturbs the concentration of a stern animal, just to make him feel that he is creating mockery. But in the process , he is been telling a story, he escapes by provoking Vikram at the maximum extent. Also he is mocking at his very own performance every frame, the man just brings a greater intensity with his onscreen idiosyncratic , yet powerful mechanics in his performance. He questions the moral compass of the system and he even brings the best out of Vikram when he meets. And thats what you call a real flesh and Blood encounter.
Credit should
be for the movie bringing the two best
actors and Writers of the script. This can be called as genuine thriller with a
question to the Police system on encounters but nevertheless it is a classic
encounter of beasts performing in an intelligent script. The writers
provide the clue throughout the movie and they wait patiently to show a much
deeper grave; And by the time you realize, you are definitely taken back. Its more intrigue with the
visuals and the Electric guitars of Sam CS music.
Beating every
thing around, over a period of time, Madhavan will regain the throne slowly and
its bound to happen after months. The man usually swamps the whole crew to come
out visibly and remarkably. Vikram Vedha can be the best of the year till date
and Its such a good time for script writing.
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